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Iotas

By A. Martine
Winter 2019 | Poetry

The earliest memory I have of seeing wonder in liminal spaces

is the Lac Rose in Senegal, a fairytale pond, and I am a fairytale princess

pirate mermaid in a pixie dust soup

spent my childhood in a mythology of sorts

halfway between the color and the puckered mouth that always tried to suction it away

I was three when the Dakar deluge brought an avalanche of ants in its wake

the first I ever touched on terror, a phobia that would latch onto me forever

not the rain — the rain I loved from the moment it sprayed my arid soul — but the ants

swarm of fitful frenzy in my grandmother’s garden

taught me how easily chaos could upset comfort

But that’s not all I remember

just as they streamed around me: floating

swept in my uncle’s solid arms

we became an island in the middle of the crawling storm

and just as I had known fear, I knew what love was

Even when years later a cloud of locusts descended upon Nouakchott

and ate through everything

sunlight crisscrossed, the air a click-click of wings

and snapping pinchers

it felt prophetic, biblical, formidable in its scale

Later, in different cities, we would try to replicate the feeling of being protagonists in a magical realism season, and although it came close, was never really close; Arctic Monkeys and golden colored hues in Chicago; streetlamps that pulled the focus onto blue moon territory in Washington DC; in Libreville, freckled wetness dappling the sound of the world; Paris bringing with its scent of blossoms a lyricism from another time; Nairobi and its multitudinous textures, like running fingers through multiverses

In Montréal we almost made it, losing hours in the darkened rooms of the Dollar Cinema place that smelled of vinegar and feet, watching films we didn’t care for but felt we had to, because they were essentially free and we could afford it, enduring one too many found footage plots and letting tolerance run its course, and knowing we deserved more, but bonding over the shared ridiculousness of this patchwork kind of fun

When I think of childhood I think of

all the times I got lost in old mattress stores in Maryland

believing we would die during Y2K and relishing the thrill

reading Archie comics and responding to Veronica, but pretending I was a Betty

wandering in the labyrinthine halls of the Jeepers arcade

quiet summer shades, caterpillars curled around my index

fevered days off from school, watching science documentaries under covers

splitting hairs between Baby Spice and Sporty Spice but really feeling Scary

rice pudding, power outages by the living room fire

Christmas lights and snow in the twilight in Virginia

shredded gift wrappings wreathed around poking toes in socks

life changing crises that could only paralyze a seven year old

But it never comes close to when I was this high, and I could barely reach the tabletops, inhaling the ample heat of the West African monsoon; not close enough to the tang of the Madd and Toll seeds, as sour as they were sweet, the roasting peanuts on coals and sand; kneeling by my grandmother’s feet as she sent for beignets and seared corn cobs from passing vendors. It never comes close to seeing my mother be a daughter, see her gently chided by her uncles, to watching telenovelas with my cousins until the sun came up, to lying on woven matting and simmering peppermint candies in buttermilk in Rosso, to watching B-list 80’s action films my aunt always took too seriously

When my grandmother died I knew

iota by iota I would liquefy and ebb apart

until I was wave upon wave

and so I did, wrapped around myself with folk rock in my ear

until weeks became weeks upon weeks

and time lost track of me, little pebble in seabed

it does not matter, in the end, which version of childhood I hold true

my grandmother died, taking with her all my definitions of mirth

I was no longer a child by then

but always found it cruel that I couldn’t pretend anymore

nonetheless

A. Martine is an Assistant Editor at Reckoning Press and a Managing Editor/Producer of The Nasiona. Her collection AT SEA was shortlisted for the 2019 Kingdoms in the Wild Poetry Prize. Some words found/forthcoming in Berfrois, The Rumpus, Gone Lawn, Rogue Agent, Boston Accent Lit, Anti-Heroin Chic.


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